Kansas City Kitty Dream Book (LOTTERY NUMBER PLAY, “Your Grandma’s Original and Favorite Dream Book”) – LotteryTube.com
Kansas City Kitty Dream Book (LOTTERY NUMBER PLAY, “Your Grandma’s Original and Favorite Dream Book”)
Kansas City Kitty Dream Book
through Kansas City Kitty (pseudonym)
Orig. pub. circa 1930s; this can be a facsimile reprint.
128 pages, saddle-stitched booklet.
The Kansas City Kitty Dream Book options a fascinating duvet depicting a kitten with seven ribbon-strung keys. Each key bears a bunch. Sections throughout the e book come with a 1 web page advent, 12 pages of birthday horoscope numbers, 88 pages of dream key phrases, 14 pages of ladies’s names, and 12 pages of guys’s names. There aren’t any interpretations for the goals, simply units of quantity alternatives within the following layout:
457 – Lottery – 799 Four-11-44
The actual title of the one that wrote the Kansas City Kitty Dream Book isn’t recognized, neither is the e book’s unique e-newsletter date to be had. The closest we will be able to come to figuring out its building is that, in keeping with the present writer, Andres Visnapuu of Eagle Supply Co. (interviewed through Anthony Shafton in 1995) Ralph Anderson, the founding father of Eagle Supply, bought the rights to submit the Kansas City Kitty Dream Book from the e book’s creator all over the mid 1960s, sooner than Visnapuu joined the corporate. Visnapuu recollects that the author of the e book used to be from Columbus, Ohio, and used to be almost definitely a black guy.
What units this dream e book except for others is the lovable paintings at the covers and inner pages — Rev. I. Doolittle says: “Brethren and Sisters, If … you MUST play ’em, BOX ‘EM.”!
The artwork is unsigned and the artist’s title, just like the creator’s, is unknown (and, after all, they will each be one and the similar individual). Whoever made the pen-and-ink drawings used to be apparently an novice artist operating underneath the robust aesthetic influences of Leslie Rogers and Jay Jackson, two distinguished African American cartoonists of the period of time. This provides weight to Andres Visnapuu’s rivalry that the creator used to be black, for there would had been few white novice cartoonists of the generation who would have copied the types of Rogers and Jackson.
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